It was a lovely day in Aurora. A breeze kept it from being unbearably warm. We had a nice crowd in the morning and another one after lunch. But then the rain came! It was fun while it lasted.
Sarah surprised us with a visit.
It was a wonderful day, we sold a few books and made some new friends and connections!
Don’t forget to join us in Washington at the Turnage Theater, Tuesday, September 26th, 7 pm. I’ll be talking about writing, my books and the community of writers who helped me get there.
What do horror stories and romance have in common? My husband is an avid horror movie buff and he reads sci-fi and medical thrillers, but he also likes to watch romance movies and those reunion clips on YouTube. You know the ones where a military person is reunited with their child, spouse or other family member. It always makes me cry.
I have never loved horror movies. I like vampires and werewolves, and some horror/thriller movies. I enjoy reading some of the darker books with some horror elements but I don’t consider myself a true horror fan. I have worked in haunted houses and I’ve marched in parades dressed as a clown, yet find it difficult to go into a haunted house and clowns can be a bit creepy.
While I was doing research for this blog, I was curious about what scientist and psychologist say about our love for horror. As a romance author, I have heard speakers talk about the affects of romance novels on readers. Stories can make people more empathetic, understanding, open-minded and there is a feminism to modern romance stories. Yes, readers still want the happy ever after of old but we see women who choose careers over having a family, we see their love-interest being supportive of their goals and willing to make sacrifices to help them achieve them. There are still some traditional romances where the couple marries and have a family, but they aren’t the only option. What surprised me when I was doing the research was that horror fans are also thought to be more empathetic and intuitive. While it’s true, some movies can feed aggressive behavior, such as movies where there is a lot of fighting, and the theme is might is always right. For the most part, as the master Stephen King explains, horror itself is a sort of safety valve, a symbolic cantharis for our cruel and aggressive behavior.
From WebMD blog “Why We Love Scary Movies” by Richard Sine, his interview with Joanne Cantor, PhD, director of the Center of Communication Research at University of Wisconsin, Madison states, “most people like to experience pleasant emotions.” We fall in love alongside the characters in a romance, experience their journey to their happy ending and are left feeling as if we’ve just fallen in love.
Professor Glen Sparks believes horror movies may be similar to our ancient rite of passage rituals. Young men especially feel the need to pit themselves against something bigger, meaner, and prove themselves. In watching a scary movie, the fear is real. Our bodies haven’t learned to filter out what is on screen and what is real danger. We react as if we are the ones hunted by the monster; our heartbeats increase, our palms sweat, skin temperature drops, muscles tense, and our blood pressure spikes.
Psychologist Glenn D. Walters identified three factors that feed the attraction to horror entertainment: 1) Tension-by including elements of mystery, suspense, gore, terror, and shock it ramps up the tension. 2) Relevance-including elements viewers identify with which plays on the psychology of fear, the most universal, the fear of death, the unknown, or cultural relevance. 3) Unrealism-having all of these “real” elements coupled with the knowledge that it is not real and probably won’t ever happen, allows the viewer to experience the fear, test their mettle within a safe environment.
Stories were originally told as a form of education. Don’t go too far from the cave or you’ll be eaten by dinosaurs. Don’t go into the woods or you’ll be attacked by wolves. Our first stories were horror stories told to keep us safe and warn of dangers.
Going into a haunted house or watching a scary movie allows us to conquer our fears. For many, horror and other violent entertainment is a way to deal with actual fears and real violence. Just as a person might learn how they wish to be treated by a lover from a romance book or movie, they can also learn to cope with evil from watching or reading horror. Fiction, no matter the genre has a way of telling us what other options are available to us. It can open our eyes to possibilities. While I don’t expect to meet a Duke and live in a mansion, having a husband who treats me as his priority and he mine, is a big part of what romance taught me. Being brave enough to face down demons from hell with only a bottle of holy water and a crucifix, well, maybe not so much. I think I’d prefer to be armed with a flamethrower at least. But whether you are a fan of horror or romance, sci-fi or action-adventure, I hope you will open your eyes and heart to people, their differences and similarities. Most of us, no matter where we come from, the color of our skin or our religion, we’re just trying to survive, find love and enjoy a few moments of peace and happiness.
Research sites:
WebMD-Why We Love Scary Movies by Richard Sine
Washington Post-Why We Like Scary Things by Richard Sima
RWR-Romance Writers of America
Bio: A lifelong freelancer, Phil Bowie earned his chops selling 300 articles and short stories to magazines. One article, about deaf Hollywood stunt woman Kitty O’neal, came out in The Saturday Evening Post and was reprinted in Reader’s Digest, reaching 26 million readers in 23 languages. Several of his short stories have won awards, including a first-place contest winner, “The Cat From Hell,” a yarn begun by Stephen King.
Phil began writing novels in the 2,000s. His debut, GUNS, about the world black-market weapons trade, earned Honorable Mention at the London Book Festival among 400 entries, and was endorsed by Lee Child, number one NY Times international best-selling author of the Jack Reacher series. (One hundred million copies sold to date.) Three more novels in Phil’s suspense series have followed: Diamondback, about a lost Great Smokies Cherokee gold mine, KLLRS, featuring a deadly outlaw motorcycle gang, and Deathsman, set against the illegal synthetic drugs trade.
Phil also has two stand-alone thrillers: Killing Ground, about African elephant poaching, and Dawn Light, starring a yacht delivery captain and his rebellious teenage mentee aboard a boat carrying a lethal secret in her belly.
Phil has been a pilot with his own Cessna, a Coast Guard-licensed boat captain, a draftsman, co-owner of a graphics business, a fiddler, an inventor, and a motorcycle rider. He lives with his partner, Naomi, and their cat, McKenzie, in a cottage he restored on a shore of the Neuse River.
Sherri: Welcome Phil, it’s great to have you on my virtual café. I wish it was a real place we could hang out and have a drink, talk books and writing but maybe someday that will happen. It sounds like you have had a fun and interesting life so far and I’m excited to learn more. In your bio you said you were a lifelong freelancer; did you make your living as a writer? How did you get started writing? Have you always written? Was there a point in your life when you said, this is what I’m going to do or did you just kind of fall into it?
Phil: Thanks for having me, Sherri. I like your café atmosphere.
It’s been a somewhat checkered life, some would say, but yes, fun and most interesting. I went to a rural high school in the Berkshire village of Williamsburg, Massachusetts. There were only 22 in my class, so we got spoiled. My English teacher, Lulu Smith, I guess saw a spark in me and offered lots of encouragement. My mother, Edith, an excellent newspaper reporter who once interviewed Eleanor Roosevelt, instilled in me the power and beauty of the language. At Clemson, I was fortunate to have a tough creative writing professor we called Flunking Felder, who got my first short story published in the college literary magazine, and I’ve been writing on and off since, most often as a sideline to a variety of bills-paying jobs.
Sherri: In your article about Kitty O’Neil, did you get to interview her? What is your process for writing articles and how does that differ from writing novels?
Phil: I’d long been interested in the World Land Speed Record, so in the late seventies, when I heard of an upcoming record attempt at Bonneville in a three-wheeled rocket vehicle, I raided my meager savings, grabbed my photo gear, and, on pure speculation, drove a borrowed tin-can Fiat 2,400 miles to cover it. I was the only journalist there, because historically most attempts had failed, and nobody else was going to cover it until it looked like a record might actually be broken as the hydrogen peroxide-powered rocket car built up speed in ever-faster trial runs over several days. Kitty was going for the female record and stunt man Hall Needham (who wrote the Smokey and the Bandit script), a buddy of actor Burt Reynolds, was driving for the male record.
Although she was deaf, Kitty had already been an Olympic diver and a motorcycle racer and had set several records like water skiing at 104 miles per hour. She’d stunted as Wonder Woman and in several other movies. She was part Cherokee, beautiful, and fearless, the first woman admitted into the Hollywood Stunts Unlimited organization. I interviewed and photographed her at length and wrote a piece for the Post, which was reprinted in Reader’s Digest. I like to think I gave her career a modest boost. No record was set during that attempt for technical reasons, but she did later set the female record at five hundred and twelve miles an hour on a dry lakebed in Oregon. They eventually did a movie about her called Silent Victory. She’s gone now, but it’s no coincidence that the love interest in my suspense series is beautiful, part Cherokee, and named Kitty.
All riveting fiction and non-fiction is based on conflict, and the more intense the conflict, the more interesting the story, real or imagined, will be, so the basic approach for either articles or stories has always been similar for me. I mostly look for subjects with an unusual aspect of adventure or danger or human endeavor against odds. In articles, I’ve covered everything from angling for blue marlin in the Gulf Stream, to a jet-powered show truck called Shockwave (which I took a 200 mph ride in at Cherry Point) to bottlenose porpoise communication research, to the last builder of wooden Chesapeake Bay sailing Skipjacks, to Dolly Parton and her Dollywood, to how to pilot a plane for skydiving. Short stories have varied widely in a variety of magazines, and a while back I put out a collection of 17 of them called Dagger and other tales.
Sherri: Your debut novel, GUNS, was endorsed by Lee Child? Now that’s impressive. Did you get the opportunity to meet Mr. Child? Do you feel his endorsement has helped your sales? How can an author set themselves up for such an endorsement or other opportunities that would aid in their marketing?
Phil: Yes, the Lee Child endorsement was a nice boost. He’d been an idol of mine, so I sent the raw manuscript to him through his agent. Lee read it, liked it, and got back to me. On their dime, my then-publisher, Medallion, sent me to the Sleuthfest conference in Fort Lauderdale to meet him. He was the guest of honor and keynote speaker for the 500 attendees. Like his protagonist, Jack Reacher, Lee is a big guy, six-five. He came up to me and shook my hand, which made my year. That night, we sat out by the Hilton pool talking about life and writing into the small hours.
I’d advise any budding writer to try for best-seller author endorsements through their publishers or literary agents. Nothing to lose by trying. I’ve garnered endorsements from best-sellers Ridley Pearson and Stephen Coonts (Flight of the Intruder) using the same approach. The top gun authors I’ve met at conferences like Killer Nashville and Bouchercon in Baltimore have been gracious and friendly. At that same Sleuthfest, for example, I had breakfast with the prolific and enchanting best-seller Heather Graham and her pleasant daughter.
Sherri: Do you read the reviews of your books, if so, do you learn from them, or do they affect your attitude? As creatives, it’s often difficult to separate ourselves from our work. On days I feel objective I can read my reviews and say, okay, I need to work on this, or I can see why they said that and it’s fine, it’s how I do things, but there are other days when they can be a boost or a devastation depending on the review.
Phil: Reviews from respected sources like Publishers Weekly, newspapers, magazines, and some of the online bloggers and critics are well worth soliciting, and they’ve certainly helped me by giving me a boost and occasionally by stinging me. A Publishers Weekly review of GUNS, for example, did both. While praising the book warmly overall, the reviewer berated me for including pages of lyrical material that did not advance the plot, so I hung my head and revised an updated version of the novel to tighten it up.
You’re always going to hear from those few who roam the Net putting everything and everybody down while never accomplishing much of anything themselves, so you can’t ever let those people get you down. You’re less likely to hear from those readers who’ve liked your work (except through respectable royalty figures), though it’s always nice to get an email or a website note from somebody who does like your stuff. I admit to keeping a file of those and it’s thick enough to be of some comfort on a dark winter night when doubts assail.
I’ve always just tried to concentrate on researching and writing the absolute best I can, and that seems to have paid off okay over the years.
Sherri: From some of your reviews one of the comments was your political bias showing in your stories, especially GUNS. We as writers often have a difficult time taking our own voice out of the story and letting the characters’ point of view shine. Do your characters represent or echo your own voice, or do they vary in their opinions? When choosing the characters, themes and topics for your novels, how much of real life enters into your work? What influences or inspires your stories?
Phil: You’re right that we should be invisible to readers. The story is always paramount, and the trick is to immerse readers in it thoroughly while staying behind the scenes, much like a movie director.
I suppose some of my political feelings have bled into my fiction at times, but it’s never a good idea to let that happen, because no matter what your views are, you’re going to make enemies.
I do firmly believe it’s important to write what you know, thus much of my work is themed on some conflict or other I’ve been somehow involved in or am at least familiar with, and I’ve drawn on my own sometimes crazy experiences—piloting, parachuting, riding motorcycles, and so on—to lend realism to plots and characters. The protagonist in my suspense series and in one of my stand-alone novels is a pilot, for example. An elderly couple in the series is based largely on my maternal stonemason grandfather (one of my enduring idols) and his good wife, and readers seem to especially like the couple. Other characters in any novel or short story may begin as ethereal figures, but they soon become as real to me as anybody I’ve known, and they can only perform on my stage as who and what I’ve molded them to be.
I also use story settings that I’ve either spent a lot of time in, like the Great Smokies, or that I’ve researched extensively enough to give me confidence, as in the novel about African elephant poaching.
Sherri: When you are writing, do you plan or plot your books ahead of time or do you just sit down and write? What is the most difficult part of writing and how do you overcome it? Where do your ideas come from?
Phil: Each short story or novel begins with a theme that I think has enough inherent conflict to build an engaging story on. GUNS, for example, is about the black-market trade in weapons. I had a friend who’d spent a career in naval intelligence, and he helped fill me in on that.
For a novel, I’ll spend weeks just digging and jotting the occasional plot idea. Copies of all my research materials go into a dedicated file box for easy reference. I’ll sketch out a rough plot longhand on a legal pad (old habit), and then launch into the story on the computer with some intense and vivid scene meant mostly to hook the reader. Then I’ll just forge on, letting my characters guide me. If I get stuck along the way, I’ll often take a long walk, which seems to break up the logjam. I rewrite and revise a lot as I go.
This is a tough, solitary business, as I’m sure you know. Weeks and months of sitting behind the screen trying to fill those blank pages with a hundred-thousand-word story that will engage and reach out and touch a reader. It’s at once a long, long slog and a wonderous and rewarding experience. I’m hopelessly hooked on it.
Sherri: I saw your publisher was listed as Bowker. Are you independently published or is this a small publishing company? What has publishing been like from the first book to the most recent? How have things changed? What do you wish you’d known in the beginning?
Phil: That’s an Amazon glitch I need to fix. Bowker was only the provider of that book’s bar code.
Over the years, much of my article and short story writing has been on pure speculation. I’d write something and then try to sell it. Early on, my work was rejected a lot, but accepted and paid for just enough to keep me plowing onward while learning and honing the craft. That led to working on assignment for several magazines at much better pay and without the marketing hassle.
If I had it to do over, I think I’d have a lot more confidence in myself and would be more aggressive.
Writing has changed in many ways since I began decades ago. I once had to research laboriously through libraries, write on a typewriter, and take photos on several kinds of expensive film with a whole heavy bag full of gear, never knowing what exactly I had until the transparencies came back from the lab. It’s so much easier now to research, write, edit, and correspond on a computer, and my digital Canon camera is amazing.
The advent of the Net, of course, has changed the whole business profoundly. Back in the day, editors filtered submissions, only buying and publishing those books they figured would earn their way. Now millions of books get published on Amazon, and it’s easy for your work to get buried in that constant avalanche. A whole generation of readers expect to get Kindle books dirt cheap or even free. Many out there are lost in Smartphoneland and don’t read books at all.
I sold my first three novels to Medallion Press under traditional advance/royalty contracts. They treated me well, but lack of distribution became an issue, so I finally asked for all rights back, added a fourth novel to the series, and self-published as Proud Eagle Publishing, which comprises me, my best friend, editor, incisive critic, and life companion, Naomi (who is also part Cherokee) and our cat, McKenzie. I write and edit, rewrite, create my own covers, put everything up on Amazon myself, promote myself, and sell through a number of indy stores I’ve set up. The six novels have sold more than 150,000 copies to date in print and Kindle, so people seem to like them.
As long as they do, I’ll keep on writing.
Sherri: Phil, it’s been a pleasure having you at Creekside Café. If you all enjoyed our interview you can learn more about Phil from his links below, order his books or come out to our Book Festival at the New Bern Farmers Market, Sunday, November 20th from 1 to 4 pm and meet him there. Remember, books make great holiday gifts, and they can even help you survive them. We hope to see you there.
Visit him at www.philbowie.com
He’ll be signing all six of his novels at Author Sunday.
* * *
Website: www.philbowie.com
Facebook: https://www.facebook.com/phil.bowie.1
Buy links (in the order of publication):
GUNS: https://www.amazon.com/Guns-John-Hardin-Phil-Bowie/dp/1514256290
DIAMONDBACK: https://www.amazon.com/Diamondback-John-Hardin-Phil-Bowie/dp/1514347172
KLLRS: https://www.amazon.com/Kllrs-John-Hardin-Phil-Bowie/dp/1514354713
DEATHSMAN: https://www.amazon.com/Deathsman-John-Hardin-Phil-Bowie/dp/1514397609
KILLING GROUND: https://www.amazon.com/Killing-Ground-Phil-Bowie/dp/1079131795
DAWN LIGHT: https://www.amazon.com/Dawn-Light-Phil-Bowie/dp/B09XZMDXWQ
Join Us Sunday, November 20th from 1 to 4 pm at the New Bern Farmers Market
Thanks to the efforts of author Sarah Maury Swan, she has brought together an eclectic group of authors and poets for a one-day only sale at the New Bern Farmers Market, 421 South Front Street, New Bern, NC. Sarah was featured on my Creekside Cafe author interviews.
I met Sarah many years ago at a Pamlico Writers’ Conference and later we attended a Carteret Writers’ Meeting together. Sarah is a vibrant woman with so much passion for life and writing that just being around her is inspiring. While many people would make excuses not to do things, Sarah looks for ways to get them accomplished. If she doesn’t know how, she calls on her friends and she has a lot of them which is evident by the number of people who have signed up for this event.
Bill, or W. C. Furney is one of Sarah’s posse, he might even be the sheriff of this motley crew. It is thanks to his efforts that we have the poster with all of our covers. I have used his work to make a few of my own, thanks Bill for helping to promote this event. I am looking forward to a drink with Bill and a chance to pick his brain.
The list of authors attending the Sunday Author Event is astounding. We have authors who are award winning like Sarah and Eileen Lettick, Leslie Tall Manning and Michelle Garren Flye, we have professors, researchers, therapists, poets, leaders in the local arts, and more. Whether you are looking for non-fiction, poetry or genre fiction, something for yourself, your spouse, grandma or your children, we have something for everyone. Come check out our books and get a signed copy for the holidays. I will even have gift wrapping available.
If you are unable to attend the New Bern Farmers Market Authors’ Event, you can still connect with these authors and buy their books through these links.
1*Hope Andersen https://www.amazon.com/How-Remodel-Life-Hope-Andersen/dp/1734707577
2*Mike Barton xflier@yahoo.com Fantasy
3* Nathan Black Poetry https://www.facebook.com/wherethebreezechapbook
4*Phil Bowie Mystery www.philbowie.com
5* Rosemary Klim Bricker Non-fiction https://www.amazon.com/s?k=Rosemary+Ann+Bricker&i=specialty-aps&srs=17143709011&crid=2AQVZ3NJX7LU5&sprefix=rosemary+ann+bricker%2Cspecialty-aps%2C78&ref=nb_sb_noss
6*Chris Brown Self Help
7 *Paloma Capanna Eclectic http://www.DowntonBeaufort.com
8*Heather Cobham www.heathercobham.com
9*Karen Dodd Eclectic kedodd2@gmail.com
10 *Bill Furney https://www.billfurney.com/
11 *Michelle Garren Flye Poetry https://michellegflye.com/ & https://shelleygee.com/
12*Beth Garver Cozy Mystery/Fantasy The Java Tavern Series
13* Diane Gray Non-Fiction finding her birth familyfhpspeaker@yahoo.com https://www.amazon.com/Faith-Hope-Perseverance-Adoptees-Biological-ebook/dp/B089T5YSFC/ref=sr_1_1?crid=R66VPHZH39UL&keywords=Faith%2C+Hope+and+Perseverance&qid=1666814386&qu=eyJxc2MiOiIxLjUxIiwicXNhIjoiMC4wMCIsInFzcCI6IjAuMDAifQ%3D%3D&sprefix=faith%2C+hope+and+perseverance%2Cspecialty-aps%2C729&sr=8-1-catcorr&srs=17143709011
14* Sherri Hollister Cozy Mystery https://sherrilhollister.com/
15* Nicole Kerr NF Self Help www.nicolekerr.com
16*Deirdre Kiernan PB Deirdrek45@gmail.com
17*Jo Anna Kloster MG https://www.emptycagespress.com
18*Veronica Krug Fantasy https://krugbooks.com/
19* Eileen Lettick Children’s eileenlettick@gmail.com https://m.facebook.com/eileenlettick/; https//www.linkedin.com/in/eileen-lettick-347174aO
20* Julie Lombard Eclectic https://www.you-niqueproductions.com
21*Leslie Tall Manning Eclectic http://www.leslietallmanning.com
22*Nina Makhatadze Eclectic https://www.amazon.com/s?k=nina+makhatadze&crid=1NOXDC1RNGYP0&sprefix=%2Caps%2C216&ref=nb_sb_ss_recent_1_0_recen
23*Barbara McCreary MG Historical https://www.facebook.com/ebbandflowshackleford
24 *Murinda MacDonald nonfiction
25 * Sue McIntyre: email: suemcintyre10@gmail.com
26 *Cheryl Meola non-fiction https://manesourcecounseling.com/
27*Margaret Pollock MG https://margaretpollockwrites.com
28*Timothy Reinhardt Fantasy https://timreinhardt.com/
29* Robert Reinschild/DeForest Shields Fiction https:// deforestshields.com
30* Natalie Singletary ? Eclectic www.obconwriting.com
31*Blaine Staat Sci-Fi, Dystopian https://www.staatsbakery.com/blaine-s-books
32*Cyrus Spears (a.k.a. Sirius) Fantasy www.uncrownednovel.com
33*Sarah Maury Swan Children’s YA & MG https://sarahmauryswanlovesbooks.com
34 *Sev Tok Spiritual https://planetsev.com/
35* Stanley Trice Eclectic https://stanleybtrice.com
Children’s Books
Hope Andersen
Deirdre Kiernan PB
Jo Anna Dressler Kloster MG
Eileen Lettick MG & YA
Barbara McCreary MG Historical
Margaret Pollock MG
Sarah Maury Swan MG & YA
Eclectic
Paloma Capanna
Karen Dodd
Michelle Garren Flye
Julie Lombard
Nina Makhatadze
Leslie Tall Manning
Sue McIntyre
Natalie Singletary
Stanley Trice
Fiction
Fantasy
Mike Barton
Veronica Krug
Timothy Reinhardt
Cyrus Spears a.k.a. Sirius
Blaine Staat Sci-Fi, Dystopian
Fiction
William Charles Furney
Heather Cobham
Robert Reinschild/DeForest Shields
Mystery/Suspense
Phil Bowie
Beth Garver
Sherri Lupton Hollister
Non-Fiction
Memoir, etc.
Rosemary Klim Bricker
Cheryl Meola
Murinda MacDonald
Adoption
Diane Gray
Self Help
Hope Andersen
Chris Brown
Nicole Kerr
Spiritual
Sev Tok
Poetry
Nathan Black
Welcome Bill Furney to my Virtual Cafe
Bio: William Charles Furney(www.billfurney.com)
A former soldier, journalist, and communication professional, William Charles Furney has tapped into a lifetime of experiences and adventures to craft riveting novels such as Black Hearts White Bones, a love, hate, revenge story about the two infamous pirates Anne Bonny and Mary Read; Aphrodite’s Whisper, an epic love story reminiscent of Legends of the Fall; and now…Ivy Moon Last Girl on Earth.
Now retired from public service, William is a full-time writer and novelist.
Sherri: Welcome to my virtual café, Bill. You have had an interesting life so far, from a tank commander to reporter to a Public Health Communicator, and now a novelist. I won’t ask you about the latest health issue, I know it can be a pretty divisive discussion and we’re not in that business now. As writers, we hope to bring people together through our stories. What is it about a story that can reach a person when all the facts cannot?
Bill: Wow! That’s a three-beer conversation. We could spend hours kicking that idea around and still leave many rocks unturned. (How’s that for mixing metaphors?) My stab at a short answer is this; facts can be blunt objects with which people hit each other over the head. The facts themselves may be impersonal, but the feelings, attitudes and beliefs of the person wielding them are usually very apparent. While it may be fun hitting people over the head with facts, doing so isn’t conducive to changing opinions. In truth, it makes people resistant to them.
Well-written stories can introduce facts and ideas slowly. They can be attached to sympathetic characters with whom readers can identify and care about. If done correctly and unobtrusively, the actual “facts” in question can be debated, dissected and a defended without ever having stated what the “facts” are. George Orwell was a master at this.
Sherri: As you know prepping for this interview, I stalked your website and social media looking for just the right questions to ask but we don’t have that kind of time. Unfortunately, I have thirty-four authors to promote before our Author Event, but I’d love to buy you a drink and pick your brain.
Bill: NOW we’re talking!
Sherri: But for now, let’s just hit the highlights.
On your website, you mentioned four writers as the fab four, who in your opinion are the masters of the craft. I agree with the first two, King and Flynn. Even though I’m not a horror/thriller fan, there is much we can learn from authors who are not in our genre. For me, my King-ism is to have a little something that shocks the reader. It has to fit the story, but maybe not the genre. In Chrome Pink, my first novel, I have a scene my romance writer friends said made them throw-up in their mouths. They thought I should take it out. I didn’t because it had a reaction. What do you feel these authors have done to influence your writing?
Bill: I think the answer to this question is covered somewhat in the Fab Four author profiles featured on my webpage. Each author offers a different influence. So, here, let me address them as a group. What is the common denominator that, in my mind, sets them apart? Well, you touched on it. In a word…mastery. “Mastery” is a term that’s not used very often these days. Webster defines it as:
2a : possession or display of great skill or technique
b : skill or knowledge that makes one master of a subject
I became familiar with the concept during my youth when I was first introduced to Hemingway and later when I was heavy into martial arts. To be brief, being in the presence of a master or being exposed to a master’s work is a – if you have the humility to recognize your shortcomings and inadequacies – very humbling experience. It’s a moment of truth, self-realization and gut-checking. As people with egos, it’s hard to look at your own work in comparison and admit…I suck at this. But, if you were raised right and were gifted with a never-quit attitude, it is life-changing. The four authors I’ve featured – Stephen King, Gillian Flynn, Cheri Priest, and Mary Beth Keane – are masters in four very disparate types of writing. You don’t have to be a fan of their genres to recognize their greatness. I have been writing for more than forty years now, and compared to the mastery of these four writers I still feel like Grasshopper kneeling at the feet of Master Po.
Sherri: I laughed when I read why you wanted to meet Gillian Flynn. “Because she has so much talent I want to be nearby when some of it spills out. Also, because I’m the type of guy who jumps out of airplanes, rides motorcycles, and runs around the room holding scissors – I love danger.” Does your writing reflect your love of danger?
Bill: Interesting question. My line about loving danger was meant to help illustrate Flynn’s penchant for writing really dark psychological stories. I don’t think I love danger any more than the next Type A personality. But I do love adventure, which can sometimes put you in dangerous situations. My writing borrows heavily from life and death situations and brushes with mortality I’ve experienced. When I write about cannons firing in Black Hearts White Bones, I know how to describe it because I’ve lived it. I know what it feels like to hold a sword in your hand and face an opponent who is equally armed. Like some of the scenes in Aphrodite’s Whisper, I know what it’s like when an aircraft goes into freefall, and you don’t know if you will live or die. And like in both of those novels, I know what the sound of a bullet whizzing by your head actually sounds like.
Sherri: Writing is an adventure all its own, but publishing can be quite daunting. What do you wish you’d known before beginning this journey? What advice would you offer newbies getting ready to publish their first book?
Bill: God bless you, Sherri. You just introduced another three-beer conversation. Perhaps you should start a variation of the Algonquin Roundtable so we can entertain these fascinating questions at length…over adult beverages.
The answer to the first part of your question is…I wish I had understood what a crap shoot traditional publishing is. There are SO many variables and there is nothing on the novice writer’s side…unless you know somebody. Even then, you still need talent. Well, most of the time. I’ve seen some really awful stuff published over the years and I’ll never understand why such tripe gets published while other great stories don’t. One thing I’ve learned as an independent is that there are many wonderful writers out there who weren’t traditionally published. A lot of them will be at the Farmers Market authors event you are promoting.
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Which leads to the second part of your question. First, read Stephen King’s A Memoir of the Craft of Writing. Skip the memoir part if you don’t care about King, but his essays on HOW to write are invaluable. There are other such books out there, but none I know of were authored by a writer as successful as King. So…
I would also suggest starting small. Try to write short stories for traditional and web-based magazines and forums. Hone your skills and create a following. This will help whether you break into traditional publishing or independent publishing. I didn’t do this. I wish I had.
Third, learn marketing and social media. These days, even traditional publishers expect authors to drive marketing. I despise this aspect of modern-day publishing, but that’s the environment we now live in. Remember, the best thing about independent publishing is that anybody can do it. And the worst thing about independent publishing is that anybody can do it. It leads to writers actually giving their books away in the hope of some day being able to sell books to loyal followers. Nobody should ask me for advice on how to do this. I suck at it. But there are many resources available, both legit and parasitical…if you know what I mean. Caveat emptor. One good place to start is Reedsy’s How to Market a Book.
Sherri: Your stories are all in different genres, is there anything that links the stories? Do they have a similar theme or premise?
Bill: You’re the first person to ask me this question. Thank you. The answer may surprise you. The common thread between all my novels is love. Now, it’s not always evident who loves who or who loves what, but my characters and stories are driven by humanity’s most enduring emotion…love. I invite everyone to read my novels and try to identify how I’ve woven the concept of ever-lasting love into my characters and which ones, but you’ll have to buy me a beer to find out if you’re right.
Sherri: Aphrodite’s Whisper you mentioned took twenty years to come to fruition. Why such a long time? Was it based on a true story? You mention in your blog that it is similar to Cold Mountain and Legends of the Fall, these stories straddle the fence between genre fiction and literary. They focus on the character’ journey. Are all of your stories a deep dive into the character?
Bill: Well, it took five years to write Aphrodite’s Whisper because I was working and raising two boys at the time. Also, I spent about three hours conducting research for every hour or writing. And the writing was done late at night after putting the boys to bed and on weekends and holidays. I spent the next 15 years alternating between submitting to literary agents and conducting re-writes. I re-wrote the novel at least three times and I was able to connect with two agents. But we could never quite get it over the hump and picked up by a publisher. By the time I finished Black Hearts White Bones – another five-year endeavor – the evolution of independent publishing had reached the point where it made sense to skip the traditional route – especially given my age – and self-publish. After Black Hearts was published, I spent the next year re-writing AW yet again and finally published it.
Was it based on a true story? Yes and no. I actually have an Author’s Notes section at the end of AW where I discuss which aspects of the story are history and which are fiction. Unlike BHWB, the main characters in AW, are totally fictional. BHWB is based on two very real female pirates, Anne Bonny and Mary Read.
And yes, all my stories are, in my opinion, character driven. Despite the abundance of adventure, suspense, and mystery, the main characters in my novels reign supreme. Even Ivy Moon. Hell, especially Ivy Moon. I’d like to believe this is part of what makes my stories unique and enjoyable. The characters are three dimensional and relatable. And the stories are never exactly what the readers expect based on the genres they fall in. In short, they are unpredictable.
Sherri: As a fellow historical fiction author, I understand the work that goes into writing an accurate portrayal of both era and character. I was a bit intimidated to tackle my recent novel, The Americans are Coming and have been working on it for several years, doing research and taking classes that would help make it a better story. While all fiction requires a little research, we don’t always use everything we learn. What is the most important thing to get right when writing a historical? What is the line in the sand for you as a reader, as well as a writer?
Bill: Love, love, love this question! As with Aphrodite’s Whisper, I conducted about three hours of research for every hour spent writing Black Hearts White Bones. The amazing part is – which may scare the hell out of any budding historical fiction writers out there – I didn’t use but five or ten percent of the information in the actual stories. Dumping a bunch of mundane historical facts on readers heads is not the way to write historical fiction. Such information must be woven into the narrative in a way that the reader won’t stumble over it. As you allude to, it’s a fine line. And I think the key to finding that line is to be an avid reader. If you become adept at recognizing when the line is crossed in a book you are reading, you should be able to apply that awareness to your writing.
But aspiring historical fiction writers don’t despair! All that time conducting research isn’t wasted. While you may not use most of the knowledge you gain learning about the history of swords or the use and crafting of rush candles, all of that information will give you a better sense of time and place in which your characters exist. THIS is the difference between a good story and great writing…in my humble opinion.
Sherri: Your story, Casey and the Bear mirrors an incident in my own writing. Casey is my sister-in-law’s great-nephew. At the time he went missing, I was writing a similar scene in my third novel, Titanium Blue. I felt so guilty for writing that scene even though I’d planned it months before Casey went missing. My sis, who is one of my Beta readers was aware of it and helped me through the guilt. Like you, I believe animals, whether wild or domestic, often come to the rescue of those in need. I heard about your story shortly after Casey’s rescue, it’s nice to put a name to the story and to read it for myself. I’d love to include it in this interview with links to your website.
Bill: That is truly flattering. Yes, by all means, it was meant to be shared. Casey’s story is amazing, and I hope I did him justice. We will probably never know if he was actually befriended by a bear, but the boy he was when the incident happened believed it, and that’s good enough for me. https://www.billfurney.com/under-construction
Sherri: If you enjoyed this interview with Bill Furney, come out to the New Bern Farmers Market, Sunday, November 20th for our Author Event.
If a girl cries of loneliness and there’s no one alive to hear…can she still survive?
I just released, Ivy Moon Last Girl on Earth.
Readers who love post-apocalypse stories will appreciate the unique perspective author W.C. Furney brings to the genre. Taking place almost entirely in Craven County, Ivy Moon – Last Girl on Earth is a Young Adult, post-apocalyptic tale of a girl’s survival and self-discovery. The story begins when the young teen who suffers a head injury emerges from a sailboat that ran aground during a hurricane. The trauma of discovering she is amnesic is soon dwarfed by the realization she is totally alone. Gradually, her expectation that people will return to the community they evacuated is replaced with the startling truth that everyone is gone. Vanished from the face of the earth. Hindered by a selective memory that affords only brief glimpses of her past, Ivy and her new friend Tonka – a West Highland White Terrier – set off on a quest to find other people. She soon discovers that surviving a post-apocalyptic world isn’t what the adventure books and movies make it out to be.
Amazing!
Before agreeing to perform the audio version of Ivy Moon, voice over actress Shey Greyson (Rose Walker in Audible’s production of The Sandman) read the manuscript to determine whether she connected with the main character and the story. Her response?
“Connect with it? I’m obsessed with it!”
A former soldier, journalist, and communication professional, William Charles Furney has tapped into a lifetime of experiences and adventures to craft riveting novels such as Black Hearts White Bones, a love, hate, revenge story about the two infamous pirates Anne Bonny and Mary Read; Aphrodite’s Whisper, an epic love story reminiscent of Legends of the Fall; and now…Ivy Moon Last Girl on Earth.
After graduating high school in Virginia Beach, Va, William served in the U.S. Army as a tank commander and later attended college at the University of Colorado, Boulder. Armed with degrees in public relations and advertising he honed his skills by becoming a reporter and columnist with a small newspaper in eastern North Carolina. Afterward, he became a director of public relations for private industry and the director of communication for several government agencies. He established two public affairs offices where none previously existed; one for the State Health Director’s Office and the other in the Office of Public Health Preparedness and Response – the state agency created in 2001 to oversee preparedness efforts associated with biological attacks and pandemic outbreaks. He became one of the first five people in the country to become a Certified Communicator in Public Health.
As a public health communication expert, he coordinated or participated in the media/public information responses to health crises involving AIDS, anthrax, SARS, E-coli, Pfiesteria, Brucelosis, Legionnaires’ disease, SIDS, Creutzfeldt-Jakob Disease, Small Pox, West Nile Virus and numerous hurricanes. He also collaborated with the CDC Office of Communication on several health issues and was a certified trainer of their Emergency Risk Communication Program. He was a member and president of the National Public Health Information Coalition – twice.
Now retired from public service, William is a full-time writer and novelist.
Buy links:
Social media links
webpage: http://www.billfurney.com
Instagram: BillFurney
Twitter: @wcfurney
Facebook: https://www.facebook.com/WCFurneyAuthor
Back-To-School Promotional $300 Amazon Giveaway
Need help with school supplies or just need to treat yourself? How about get an early start on Christmas shopping? Who couldn’t use a $300 Amazon eCard. I know I could with 22 grandbabies to buy for.
From August 19, 2022 to September 9, 2022 you can enter every day, and if you love to read, check out these awesome book deals.
Check out Trent’s Melody on Sale for $1.99 eBook and if you’ve already got it, why not check out these other deals. Sign up for The Kindle Book Review Giveaway. We can all use a little extra cash. Just click on the links http://ow.ly/Lnlx50Ko8Gj
Happy Back-to-School!
Trent’s Melody eBook goes live tomorrow. I enjoyed writing this story and discovering who Trent and Melodie are. They both have broken pieces and a shared past. It took several years for them to find the courage to try again but together they are stronger than they are alone. Seeing the beauty of two people coming together and finding their strengths and allowing their person to help them through their weaknesses, that is romance whether in a book, movie or real life.
I have been blessed to find my person. That one person in the world who makes me stronger and helps me be me. I don’t have to pretend when I’m with my husband, he sees the real me and still likes me and I like him. It’s not enough I think to just love and desire each other, though I think that’s a big part of life and romance but sharing a connection that runs deeper. This weekend, I spent time with a couple who really brought out the best in each other. They balanced one another. He taught her to play, and have fun, she showed him that being serious wasn’t boring. Like the fictional couples we adore, sometimes opposites attract but their also has to be a key element that links them together. For my friends and my husband, it is a generosity of spirit, an innate kindness.
In Trent’s Melody, Trent is vulnerable but still strong. He is kind but often tries to hide it. He is afraid to love and open himself up to hurt but along the way he knows, he’s not happy alone so why not take a chance? Life is about taking chances, doing things that scare us. That’s what shows us were alive. I drove down a mountain, climbed a tower, and am scheduled to do some public speaking (my real fear.) I continue to push myself and my characters into uncomfortable situations because I want to continue to grow and learn.
I hope you will read Trent’s Melody and I hope you enjoy it as much I love writing it. The print book is available through Amazon. I have signed copies available upon request. Ebooks are available at most retail locations online and through many libraries. If you have trouble finding any of my books, just contact me and I’ll help you out. Thank you again for being a part of my author journey and taking a chance on me.
What the readers are saying…
Funny, sexy, heart-wrenching, and exciting! K B Davenport
In the latest entry in the Harrell Family Chronicles series, Hollister’s signature thrills, romance, and slice-of-life drama are ever-present. Trent’s Melody is at turns funny, sexy, heart-wrenching, and exciting. Main characters Trent and Melodie are facing down a complicated history. With so much guilt and regret behind them, they struggle to find the good in each other and in themselves.
As always, Hollister manages to provide deeply human drama with peppered comedic relief. There are lots of steamy, romantic moments as well. I really enjoyed the reality series element, as I’m a big fan of home renovation shows. It also gives the characters some interesting stakes beyond their relationships.
The familiar faces from Hollister’s other books in the Harrell Family Chronicles series are nice to see. There’s a sense of family and community in this series that reminds me of my hometown and all the antics that come with it. Fans of suspense and spicy romance will love Trent’s Melody!
Brenda Mayo Jones says…
This book will grab you from the beginning! You get to meet Trent and Melodie who had a past. A past that includes death, music and hometown renovations! You find out how people can put their past behind them and rekindle their love on an entirely new level. One that is more mature. As with most of her books, there is romance, intrigue, a stalker and a couple coming to terms with their differences and learning how to make the best of each other come out in the end! Wonderful story with everything you enjoy in a suspense and romance book all rolled into one!
Marni Graff calls it a compulsive read!
New thrills and chills w/body heat: betrayal takes a back seat to a stalker bent on revenge, when a reno competition brings singer/songwriter Trent back into writer Melodie’s life. But what if her heart and body send a different message? A compulsive read
Trent’s Melody https://books2read.com/u/3n5BWR
Christmas Inn at Teach’s Island https://books2read.com/u/br1XwY
Roxy’s Betrayal https://books2read.com/u/mKd6p9
Janie’s Secret https://books2read.com/u/31eDKv
Willow’s Retreat https://books2read.com/u/4Aj2Kq
Guest Blogger: Sherri Lupton-Hollister
— Read on ashleycrookham.com/2022/03/11/guest-blogger-sherri-lupton-hollister/
I was a guest blogger on Ashley Crookham’s blog. It was a lot of fun.
Book Summary She has hope tattooed on her leg but carries the scars of self-destruction deep inside her soul. Rae Lynne Grimes is a survivor. A fighter. Set in the small fictional town of Leeward, North Carolina on the inner banks of the Atlantic Ocean, this suspense thriller brings rape survivor Rae Lynne Grimes face…
— Read on teabutwithcoffee.com/2021/08/11/book-review-chrome-pink-the-leeward-files-volume-1/
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