Posted in backstory, Thoughts, writing inspiration

Research or Going Down the Rabbit Hole

Research for The American are Coming!

I love to do research. I can’t help it. it Is one of my guilty pleasures. I’m a nerd. Always have been. In school when we’d get the chance to go to the library to do research, I’d get so caught up in the search I sometimes forgot what I was searching for. Finding new things along the way is part of the joy of doing the research. The problems are going off in another direction than the one you intended or getting so lost in the research you forget about the writing, and the biggie, wanting to put everything you discovered into your story. I mean, when you find out really cool things it’s difficult not to include them in your story. BUT… while it might be interesting and maybe even important to know that Buffalo Bill’s Wild West show had a second female sharpshooter or that he hired over one hundred Sioux to work in his show even while there were still Indian Wars going on, all of this information is important and helps me as a writer understand my story’s time period and politics, how much of it is really necessary for the story itself.

It has taken me years to feel confident, and I say that with a laugh because I’m not really confident that I’ve reached the point where I know what I’m doing, but I’ve taken the classes and done the research and tried to immerse myself into the time period. Developing the character, the atmosphere and the series is important. I hope that when you read The Americans are Coming that you experience life in a traveling show, (I researched the history of the circus in America, Buffalo Bill’s Wild West Show and travel in the 1890s), that you get a feel for Winnie’s life as a performer and a member of the show family, I hope you enjoy piecing together the clues and puzzling out the mystery, but I above it all, I hope you read the story and not see the work that has gone into it only the entertainment that it offers.

For a list of the books, YouTube videos and blogs I used to research this book, here are the ones I’ve compiled so far, and they are by no means the full list. I also have references from people such as HCRW president: Cyn Hayden who gave me information on steamer ships, my granddaughter: Hailey Miesse and her mother, Brandi Lupton who aided me with my horse research, my husband David who helped with many miscellaneous questions (he’s a great research assistant), and my local librarians: Denise Toler and Robina Norman who answer weird and bizarre questions at odd times during the day (and sometimes at night).

Books:

Buffalo Bill’s America by Louis S. Warren

Wild Women by Autumn Stephens

A Victorian Lady’s Guide to Life by Elspeth

Gangway! Sea Language Comes Ashore by Joanna Carver Colcord

The Great Tours: England, Scotland, and Wales The Great Courses by Professor Patrick N. Allitt, Emory University

The Writer’s Guide to Everyday Life in the Wild West from 1840-1900 by Candy Moulton

The Writer’s Guide to Everyday Life in Regency and Victorian England from 1811-1901 by Kristine Hughes

Eyewitness Visual Dictionary The Visual Dictionary of Ships and Sailing

Reader’s Digest America’s Forgotten History

Audiobooks:

Battle for the Big Top by Les Standiford

Unmentionable by Therese Oneill

The Hidden History of Holidays by Hannah Harvey

The Poisoner’s Handbook by Deborah Blum

Stephen Fry’s Victorian Secrets

The Life and Times of Prince Albert by Patrick Allitt

The American West: History, Myth and Legend by Patrick Allitt

YouTube Videos/Channels:

Absolute History https://youtu.be/xyUOBM0UNQk

Weird History https://youtu.be/XnvPauD-Wto

Joe Scott https://youtu.be/3M6e6TG7nDA

all of this information is important and helps me as a writer understand my story's time period and politics, how much of it is really necessary for the stuff itself.
Posted in inspiration, my books, Thoughts

Change

Why do we resist change?

   Humans resist change… why? Are we preprogramed to want the familiar? As cavepeople, we took comfort and refuge in the familiar. If everything stayed the same, we stayed alive. But in modern times why are we still resisting change? Whether it’s changing our hairstyle or leaving a dead-end job, most of us put up with the out-of-date style and the hated job because we fear change. Or maybe we’re too lazy to make that change. I mean, really, change means we have to make an effort to do something different.

   I don’t like change. Familiar is easy and requires less effort. Pull the hair up in a ponytail or wrap it in a headband, it’s easier than trying to decide what style I want. But recently I made a change…I changed genres. This wasn’t a quick change. I’ve been taking classes for several years and planning this story and series for just about as long. Switching from romantic suspense to cozy mystery doesn’t seem like that big a difference, but when you go from contemporary to Victorian era, and make your main character a teenager, well, that is a rather BIG change.

   Something different means research, a lot of research, preparation, planning, and extra effort—at least that’s what I discovered when I decided to switch genres. For the past year I’ve been studying the cozy mystery genre. I discovered some great YouTube videos, one of my favorite authors to follow is Jane Kalmes, the Fiction Technician https://youtu.be/GNR0g60m0EI. I also researched the Victorian Era, everything from how to build a forge to a lady’s dress, to inventions and killers of the era. YouTube is a great place to start but when I needed information on steamer ships, I had to pull out the big guns and go to my friend, HCRW President, Cyn Haden who is a naval historian. I only needed one tiny piece of information to make my story believable, but I needed to check my facts before I could go any further.

   How resistant to change are you? Are you adventurous or do you like the status quo? What do you do to combat boredom and shake things up?

Posted in Thoughts, writing inspiration, Writing tips

Starting in Medias Res

When you start a book do you want it to begin in the middle of the action or do you prefer a slow build up? Brandon McNulty did a YouTube video that made me think, what is the best way to open a story.

As a reader I like both depending on the story. If I start reading and a character is being shot at or chased, I’m interested to see what happens next. BUT…I also enjoy getting to know a character a bit before they’re thrown into the pot of boiling water. The rom coms where we see a little bit of normal life before everything goes haywire, or the cozy mystery that starts with what appears to be just an average day in the life of the sleuth or the accused.

Which version has more power to attract the reader?

Example:

  1. Her arms and legs trembled with fatigue. The dizziness and nausea still lingered but self-preservation pushed those discomforts to the back of her mind. From the shore she could see the yacht burning. She flinched as a second charge exploded, demolishing what was left of the life she’d begun to build. Shivering in her wet clothes, she knew she couldn’t wait around until her strength returned. An ex-con couldn’t be found this close to a crime scene. Stumbling barefoot over the rocks, shells and detritus that littered the shoreline, she hoped she wasn’t leaving bloody footprints behind. Slowly, she made her way home by the backroads praying no one would see her and note her appearance. It wouldn’t pay for anyone to connect her to the murders.
  2. She turned off the vacuum cleaner, her head still bobbing to the music coming out of her headphones. The boat swayed. Were they being boarded? No one was due to arrive until later tonight. Quickly, she shut off her phone and pulled her headphones out. Angry shouts from the upper deck caused her heart to pound. She needed to hide. Hurriedly, she stowed her cleaning stuff it the tiny closet, and herself in the shower. She wasn’t supposed to be here. If her parole appointment hadn’t run so late…the boat started moving. Oh shit, oh shit, please don’t head out to the ocean. What do I do? The boat stopped. Breathing a sigh of relief, they weren’t far from shore. Her relief was short lived at the pop of silenced gun shots. Balling into the fetal position at the bottom of the shower, she blinked back tears and nausea. Another boat came along side, scraping the hull. Thank God, they’re leaving. The odor of gasoline warned her things were about to get worse. Creeping from her hiding place, she tried not to look at the dead bodies. She leaped into the water as the smaller boat drove away from the yacht. She felt the percussion and for a moment feared she’d drown from the nausea and dizziness of the impact. She floated on her back until she could get her bearings then swam to shore. She stared back at the burning yacht as another explosion rattled the night. Not waiting for the trembling in her legs to ease, she made her way home along the backroads hoping no one noticed her leaving the scene of the crime.

As you can see, number 2 has more details, but does it give you more or less? Number 2 gives more background information, orients the reader a little more but it takes away some of the punch the first has. If you started reading a book that opened with either of these, which would be more interesting? Would it really matter to you? I believe there are many different types of readers as there are many different types of writers. There is no one-way is the right way. It’s a matter of what fits the story, the genre, and the individual taste. While I like both, I would tend to go with the first to create that intense reaction and then build the character more in the next scene especially if I’m writing a fast-paced suspense. If it’s more of a psychological thriller, the slower pace might be best.

I’d love to hear your opinion. As a reader or as a writer, what do you think is best?

Posted in event, inspiration, News, promo, writing inspiration, Writing tips

HB90 Alumni and Sarra Cannon Fan

https://heartbreathings.teachable.com/p/hb90-bootcamp/?affcode=145068_lea8l-18

I probably sound like a broken record when I talk about Sarra Cannon and her Heartbreathing YouTube Channel. What Sarra does for indie authors is unequaled. Other author channels teach the fundamentals of being an indie author or of writing a novel. But Sarra gives us tools to help deal with some of the more difficult subjects facing an indie author. Namely burnout. Authors, especially indie authors and possibly new traditionally published authors, tend to overextend themselves. We are often overwhelmed by all the things we believe we must do to be successful.

Sarra’s HB90 Bootcamp taught me to plan for the life I wanted. Her method breaks things down in 90-day goals. I would suggest this course for anyone who is a small business person or entrepreneur. I don’t use everything she taught me in the exact same way she taught it, I have adapted Sarra’s method to fit my life. That is another thing I love about Sarra. She realizes all of us have our way of viewing the world and we have to take what works for us from her method, and fit those ideas into our crazy lives.

Sticky notes and journals are my friend. Making lists, breaking things down into smaller, bite-sized pieces or more accurately into achievable tasks to reach the overall goal. Sarra also insists on adding mental health breaks and physical breaks into our plans. Planning to succeed means being happy, healthy as well as making money. I believe the happy and healthy falls by the wayside in our race to sell books.

One of the reasons I am affiliate for Sarra’s HB90 Course is because I believe in it. I believe in her. I have a tendency to believe I can do everything but there are only 24-hours in a day and I need to sleep sometime. After taking the HB90 the first time, oh, as an alumni I can take the class anytime it’s offered and continue to have access to the information even if she makes changes in the material or videos.

Course Information: Enrollment is open now! Feel free to share!

Course Dates: September 11-17th with the live kick off call on the 11th at 3PM EST via Facebook or YouTube

Course Price: Students have a choice pay in full at $199 (best deal), 3-month plan of $75 a month for 3 months or a 6-month plan at $38 a month for 6 months.

Enrollment will close at Noon EST September 11th.

Yes, I get a small commission if you use my affiliate link but even if I didn’t I would still promote this course. If you’re not sure about taking Sarra’s HB90 Bootcamp then check out her YouTube Channel. It’s a great way to get to know Sarra and decide whether she’s a good fit for you. I find her uplifting and real, she makes me think and fills me with hope for my future success.

Posted in writing inspiration, Writing tips

Following Other Authors into the Abyss

I am a HUGE advocate of studying writing craft books, listening to author interviews, and writing advice videos and podcasts. I take a lot of online classes in a variety of subjects to improve my writing. One of my pet peeves, the thing that will make me so angry, is when an author tells me their way, is the ONLY way to write! Now, I am hardly a genius or even a bestselling author but Neil Gaiman, who is a story telling god, said during an interview at the end of his ten-year anniversary edition of American Gods (paraphrased) that he told his friend and fellow author, he’d finally learned to write a novel, but his friend said, no, you’ve learned to write this novel.

Indie author Michael La Ronn whom I discovered via YouTube, tells of writing his novels using several different methods. He even rates the methods on one of his videos. Like Mr. La Ronn I have tried different techniques, some with more success than others. But the truth is, you have to find what works for you or what works for this book.

https://youtu.be/ttGB2uHnvw8

Every author has their own style, their own method of writing. Some writers have to plot out every minute detail before they can start, but others prefer to discover the story as they write. They have to do what works for them or they cannot create. When I hear an author say you have to do this or that in order to write, I cringe. As a new writer, I wanted to learn to outline and plot my stories and do character analysis and diagram my stories so I could give readers a better story. BUT that didn’t work for me. That is not to say I did not learn important information in those classes, books and programs. I learned what works for me and what didn’t. I learned to adapt things to fit my needs and that is the key point I’m trying to make. Do take the classes, do read and learn from other authors but do not feel that you have to do things exactly as they have done in order to write a great novel and be a success.

One of my favorite authors to follow and listen to is Sarra Cannon. She is the author of several young adult series and new adult books, her most famous ya series, Beautiful Demons has sold over a million copies and her Heart Breathings YouTube channel has over forty thousand followers. She teaches a course called Publish and Thrive which is an amazing program for any writer but especially if you are an indie or hybrid author. While her method of writing, which requires a lot of planning, outlining and then post writing discovery, which I admit I don’t always use, but it has taught me what to look for to be sure my story is complete. I have learned to adapt many of her ideas in a way that best works with my style of writing. I truly love Sarra’s way of teaching because she doesn’t say her way is the only way.

https://youtu.be/CWoaqnMdgrY

I’m on this soap box because of a recent book I purchased for a program, Lisa Cron’s Story Genius. Now, not to completely bash Ms. Cron, I loved her Wired for Story, and there was much in Story Genius I also thought was well, genius but when anyone deals in absolutes, I get a little antsy. I was angered by what the author had to say about pantsers and especially what we do not do our due diligence which results in our failure. As a pantser, or now I might admit to being more of a plantser, as I do plan some of the details of my stories prior to writing. And while I’m not a famous author with several best sellers under my belt, but Mr. Lee Child is, and he is also a pantser. Like me, Mr. Child likes to discover the details of the story along with the reader. To plot or outline it in advance would kill the joy.

While I disliked much of what this author had to say in her how to guide to be a better storyteller, it was her lack of respect for other methods that truly angered me. Do not get me wrong, the author has some valid points. I kept reading because I could glean some nuggets of genius from her book but at one point, I became angry enough to return the book and demand my money back. I don’t do that. I have even tried to go back through the book and to see if I was just being too sensitive or over critical but when I started reading the second time, I got mad much sooner. This is one of the caveats I believe we as writers need to be aware of, even well-meaning people can crush your spirit and derail your efforts if you allow them to. Had I read this book when I first started writing seriously, it would have kept me from publishing. My self-esteem was so fragile that I would have felt trapped and unable to write.

To those authors who wish to share their hard learned knowledge with other writers, I ask that you remember not everyone processes information the same way nor do we produce in the same manner. Be careful of stifling creativity in your desire to show authors a new and better way to write. I will leave both the newbie writer and the master with this, thank you for your inspiration, your words on the page for they fill my dreams with possibilities and hope.

Posted in Uncategorized

I’m a Proud Affiliate of HB90

https://heartbreathings.teachable.com/p/hb90-bootcamp/?affcode=145068_lea8l-18

I’m a proud affiliate of Sarra Cannon’s HB90 course!

Many of you know how much I love Sarra Cannon’s YouTube videos. I met Sarra at a Heart of Carolina Writers’ Conference. I had heard of her from my fellow HCRW members who remembered when she lived in North Carolina and was a member. Sadly she had left the area before I became a member or at least before I began knowing my fellow members. The group talked of Sarra’s Heart Breathings channel on YouTube as well as her books, her Publish and Thrive course and her HB90 Bootcamp.

Sarra has an uplifting spirit which is a balm to many a weary and overwhelmed writer. I listen to her YouTube videos over and over because they give me courage and guidance. She sooths my worries with her insight and candor. Sarra doesn’t mind sharing her own mistakes or weaknesses, she allows us to see the real her.

Her HB90 course is a combination of things she’s learned from trial and error, as well as things she has learned from other authors, planners and other business people. She has taken everything and condensed it into an easy to learn program designed to help writers and other entrepreneurs succeed by planning.

Before you say “I’m not a planner,” you should know, I’m not either. Sarra’s HB90 course changed how I think about planning. Being able to plan in bite-sized pieces just what you can actually accomplish within 90 days had done so much to keep me from getting overwhelmed, even with battling the extra crazy year that has been Covid 19 2020.

Sarra has expanded the course from 3 days to a full 7-day course to give people more time to get through each assignment and to give more support along the way! Sarra has a Facebook group for her HB90 students and one for her alumni. Another great thing about taking Sarra’s course is being able to audit the class whenever it’s offered for a refresher. I know I need to go back and relearn a few things, as I said, I’m not a planner.

If you sign up for the HB90 course using my affiliate link I’ll get a commission and I’ll receive a free Q1 Planner designed by Sarra.

There is also a bonus for the person with the most enrollments. I’m saving up to have my books put on audio.

My Affiliate Link: https://heartbreathings.teachable.com/p/hb90-bootcamp/?affcode=145068_lea8l-18

Course Information: Enrollment is open now, so feel free to share!

Course Dates: Sunday, December 13th-19th with one live call on the 13th via Facebook. There is no closing call for the current course.

Enrollment will close Midnight EST on December 12th.

Thank y’all for sharing my affiliate HB90 link. I believe in Sarra’s program but if you can’t afford to take her course at this time, check out her Heart Breathing channel on YouTube. She is an awesome source for writers and indie authors.

And if you just want to feel good, check out Sarra Cannon on YouTube and see what she’s been up to during quarantine. She has been reading her books and sharing her life, trying to make things a little better for us during this pandemic. It is her love and generosity that has made me so passionate.

https://heartbreathings.teachable.com/p/hb90-bootcamp/?affcode=145068_lea8l-18

Posted in audio books, Book Review

Alpha Heroines

Lush Money by Angelina Lopez, Narrated by Scarlette Hayes

I didn’t expect to like this book much less love it, but I do. I have never been a fan of billionaire romances but after listening to an interview with Angelina Lopez on Reese Ryan’s YouTube channel “The Story Behind the Story” and attending a presentation at the Romance Writers of America’s virtual conference, Writing Alpha Heroines I had to check it out.

Too often strong women are portrayed as masculine or as evil bitches, but Angelina Lopez created a heroine who is strong, independent and still feminine. Roxanne Medina, a billionaire CEO is not what she seems when Prince Mateo Ferdinand Juan Carlos de Esperanza y Santos is first ordered to her office. The handsome winegrower is stunned by the bargain the woman is offering, a marriage with three-nights a month in her bed, a pregnancy followed by a divorce. After which she will pay off debts and help him save his small kingdom, a Spanish principality on the verge of bankruptcy due to his parents’ outrageous behavior. Although he is attracted to the beautiful, sensuous woman, he is angry that he is being treated as little more than a stud.

Roxanne doesn’t have time for a relationship, but she yearns for a child, one she can give everything she never had as a child. Marrying her prince is part of her fairytale. When Prince Mateo begins making demands of his own the two discover they have more in common than they realized, and their bargain turns into something neither of them expected.

Angelina Lopez did a fabulous job of showing readers a woman who is both strong and fragile, powerful and vulnerable, a woman who has built an enterprise but has no one she trusts that she doesn’t pay. Prince Mateo is her perfect counterpart, he just needs to face losing everything to find out what really matters. This was such a feel-good book with a lot of heat and plenty of twists and turns to keep you holding onto the oh shit strap.  

 I can only give it 5 stars but I think it deserves at least 7!

Posted in Thoughts, writing inspiration, Writing tips

How Do You Research Murder?

How do you research Murder? How many people did you have to kill to get it right? Uh! What, wait a minute…

Contrary to some the writing sources I’ve studied, you don’t have to write JUST what you know. You can figure somethings out by relating them with similar experiences, or by taking classes, watching YouTube videos or documentaries. You don’t have to kill your neighbors in order to write about it. I mean, you could but then you’d probably be in prison or on the run and then it’s really difficult to do book signings.

Okay, enough of the silliness, seriously, most writers are nosey by nature. We want to know how everything works or why it doesn’t. We will do extensive research over something that only shows up in the background of a story just so it feels right. As readers we know that we are most engaged when an author piques all of our senses. No you cannot see, taste, feel or smell any of the descriptions but if they are done right, you can almost…

The experts say smell is the greatest memory. There are some smells you never forget. Growing up in a rural community with no public works, we had to dispose of dead animals ourselves or just let nature take its course. Neither is a pleasant experience but it did give me some insight into the dead.

So how can we get it right when it comes to murder? Well, I know what a decomposing body smells like. It may have only been a deer or a racoon, there was even a stray dog that went off in the woods to die but the smell filled the community for several days, but I believe the description of the smell is something I can provide in detail with some accuracy and enough similarity that the reader will believe me. I can also tell you there’s a difference if a body is found down on the shore versus up on the road where it’s been baked by the sun, especially in July, in North Carolina. There are experiences we can relate to that of our fictional murder to make it feel real. From the sicky sweet smell of rotting flesh to the grotesque swelling that comes from the gases building inside of a decomposing body, or the swampy, putrid aroma of a body washed up on shore of a brackish country creek.  If you have ever come upon an older body nearly gone to bone in the woods, the loamy smell of flesh turning to soil.

I can hear people saying, “but animals smell different than people.” My Uncle Tucker would tell you that fish and relatives both stink after three days. Some don’t take that long. Death, human death may seem different especially in the cities or the civilized world of hospitals and home, but out in the wild it becomes more like the animals I’ve described. Check out the research from the Body Farm.

If you have ever watched a loved one die, you know that there are smells that go along with illness, medicinal odors, the scent of infection, decay or the stale, stagnate odor that comes with lack of movement and frequent washing. If you have visited a morgue or mortuary, you remember those distinct scents. Death has a smell, even the civilized, cleaned-up version of death most of us know just from life. But what about murder, what does murder smell like, how would it be different than death by illness?   

If you are researching murder the results can be slightly different depending on if you are focusing on the murderer or the one investigating the murder. From the investigators point-of-view we have many books, documentaries, classes, etc. to assist the writer with getting things right. If you are writing from the murderer’s point-of-view, it can be a little trickier to pull off.

Many of us know a bit about character development from our own personalities, interacting with and watching other people. We have seen first-hand romance dos and don’ts, relationships that work and those that just never should have tried. But how do we research murder and murderers? As I know I don’t know any murderers, at least not any who would admit it. So how do we know what it’s like to kill? How do we understand the way a killer thinks or feels or why they do what they do? How much of that matters?

Things have gotten a little easier thanks to the internet but before YouTube videos and online classes, I watched PBS documentaries and read books. I talked to prison guards and former inmates. With cable and satellite television I’ve discovered the History channel, Discovery, True Crime, not to mention all of the shows that are focused on forensics and murder.  

So how do you write it from the murders point of view? How do you develop the emotions the murderer is feeling before, during and after? Can we relate to them? Do we have similar circumstances we can draw from? I think much depends on why the killer has killed and how. Are they angry and this happened in the middle of a fight or was it premeditated? Are they a sociopath or psychopath? Is killing fun? Do they shoot, strangle, mutilate their victims? After doing all the research, it comes down to character development and imagination. What would your character do? How would they act and react? Have fun with it, but if you decide to experiment with murder, please, don’t come to my neck of the woods.